INGESTED: The Architect Of Extinction
Brutality is clearly an attribute that gets better with age. With their third full-length release, "The Architect Of Extinction", Ingested showcase their most barbaric capabilities. Death-Metal, Deathcore and Death-Slam, are just a few of the terms used to describe Ingested's sound, but whatever you decide to call it, the title should always be proceded by an adjective such as, "brilliant" or "mercilessly perfect".
Stylistically following on from 2013 EP, "Revered By No One, Feared By All", it becomes clear within the first growls of opening cut, "The Divine Right Of Kings", that Ingested have finally found their sound. "The Architect Of Extinction" is surprisingly mature in sound and delivery, demonstrated clearly by instrumental piece, "Penance", which gives you a chance to catch your breath and elitists time to rearrange their raised eyebrows. If truly calming metallic melody with excellent execution isn't your thing, then have no fear, there are still nine tracks of solid, neck-shattering Slam to appease the masses. Tracks like "Endless Despondency" and "Extinction Event" are savagely satisfying, while the epic Slam showdown of "The Heir's To Mankind's Atrocities", featuring vocal contributions from; Julian Kersey (Aegaeon), Taylor Wientjes (The Kennedy Veil), James Schuster (Eighty Thousand Dead/Delusional Parasitosis) and Alex Terrible (Slaughter To Prevail), is a perfect balance of awe-inspiring and terrifying.
From start to finish, "The Architect Of Extinction" is utterly phenomenal. The musicianship and vocal performances by Manchester's finest is nothing short of flawless. A huge leap forward from previous full-length, "The Surreption", Ingested's more mature and refined strain of audio weaponry is sure to see them brought to the front-lines of the extreme music world.
Stylistically following on from 2013 EP, "Revered By No One, Feared By All", it becomes clear within the first growls of opening cut, "The Divine Right Of Kings", that Ingested have finally found their sound. "The Architect Of Extinction" is surprisingly mature in sound and delivery, demonstrated clearly by instrumental piece, "Penance", which gives you a chance to catch your breath and elitists time to rearrange their raised eyebrows. If truly calming metallic melody with excellent execution isn't your thing, then have no fear, there are still nine tracks of solid, neck-shattering Slam to appease the masses. Tracks like "Endless Despondency" and "Extinction Event" are savagely satisfying, while the epic Slam showdown of "The Heir's To Mankind's Atrocities", featuring vocal contributions from; Julian Kersey (Aegaeon), Taylor Wientjes (The Kennedy Veil), James Schuster (Eighty Thousand Dead/Delusional Parasitosis) and Alex Terrible (Slaughter To Prevail), is a perfect balance of awe-inspiring and terrifying.
From start to finish, "The Architect Of Extinction" is utterly phenomenal. The musicianship and vocal performances by Manchester's finest is nothing short of flawless. A huge leap forward from previous full-length, "The Surreption", Ingested's more mature and refined strain of audio weaponry is sure to see them brought to the front-lines of the extreme music world.
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