No Nonsense Metal Reviews

AMON AMARTH:  DECEIVER OF THE GODS    Unless you've spent the last few months pillaging settlements, performing vital repairs on your Longboat, or have been in an ale induced coma, then you will be fully aware that Deceiver Of The Gods has landed. Armed with facial hair inducing slabs of brutality, Amon Amarth demonstrate the true meaning of Melodic Death-Metal.    There is far more to Amon Amarth and Deceiver Of The Gods, than just beards and axes. The ten songs that comprise this majestic creation, are ten of the finest songs ever produced. Revolving around the continual theme of Vikings and Mythology, this album casts aside any other album of its kind.    Choosing a single favorite song from this album is an impossibility. The bruising, marching riffs and warriors tale of, "We Shall Destroy", comes fairly close to being a highlight of this album. As the song progresses through blast-beat style riffs and chugging breakdowns, it provides the perfect soundtrack to

HAVOK: UNNATURAL SELECTION        Think that political views mixed with Thrash-Metal has already been done? Well not like this it hasn't. Thanks to Megadeth, we already know that chugging riffs and governmental despise go together like Friday nights and beer, but after hearing Unnatural Selection, it becomes obvious that there is still a lot of room for creativity within this field. Luckily, the politically burdened side of the album doesn't drown out the straightforward Metal side of things. Even on tracks like "It Is True", the strength of the lyrical themes doesn't hinder the urge to head-bang and windmill like a demonically possessed person being showered with holy water.    After Havok's 2011 triumph, Time Is Up, the expectation and anticipation on Unnatural Selection, was at stratospheric levels. After being subject to the double blow of opener "I Am The State" and "Give Me Liberty... Or Give Me Death", any previous trepi

No Nonsense Metal Reviews   Download Festival 2013 Reviewed SLIPKNOT Rating: 10 = Life Changing, 1 = life ruining   With a line up as good as Downloads, there is no wonder that 90,000 Metal hungry headbangers have descended on Donington Park to attend the most Metal event of 2013. For 3 days a year, this vast site is home to one of the UK's most prestigious festivals. Anyone lucky enough to attend this congregation of Metal pilgrims will know, Download is something you will never forget. Whether your camping on Wednesday, in for the long haul, just going for the day, or there for 2 days like No Nonsense Metal, then you know that its something not to be missed.    As you might expect, the weather doesn't exactly suit the high spirits here. The on and off showers don't fill bands and fans with much confidence, but at the end of the day, that is British weather for you. Due to unforeseen circumstances, No Nonsense Metal only arrived for the third band on. The Brit

CHILDREN OF BODOM HALO OF BLOOD     Another Children Of Bodom album, another selection of brilliant songs, another victory for Finland's finest. Halo Of Blood really has got something for everyone, Whether you're particularly into earlier albums like Hatebreeder and Follow The Reaper, or a fan of more recent releases, such as Blooddrunk and Relentless Reckless Forever.     Over the last 15 years, Children Of Bodom have created some truly phenomenal albums. Halo Of Blood is the latest chapter in Bodom's legacy, displaying all of the gradual evolving of the band over the years, resulting in a sound that is undeniably Children Of Bodom's.     Every track on Halo Of Blood, is entirely its own entity. The bruising opening track, "Waste Of Skin", will get you in the mood to mosh, with its Blooddrunk style vibe and gradual ascent into the trademark, symphonic-Death riffs. The Emperor saluting title track, "Halo Of Blood", begins with ferocious Bla

THE BLACK DAHLIA MURDER:  EVERBLACK                    In a time where repetition and lack of originality is rife within the Metal music world, it really is life affirming when a genuinely great album comes along.    Everblack is full to the bursting point with a expansive array of screams and growls from vocalist Trevor Strnad, and the riffs are as merciless as you would have come to expect. In fact songs such as the peculiarly named, "Phantom Limb Masturbation", display some more relentless Thrash infused riffs.    There is certainly no short supply of the brutal stuff here on Everblack. The Black Dahlia Murder have been rapidly gathering momentum and popularity over the last few years, resulting in a large amount of expectation awaiting the album. Realistically, within the first few seconds of the barbarous opener, "In Hell Is Where She Waits For Me", any trepidation of how the album will sound and how it stands up to previous releases, is completely reli

EVILE: SKULL       Skull is here, to encapsulate your brain and be on the receiving end of many a mosh session. That is not Skull's only purpose though. Skull is here to save the Thrash-Metal world from the chasm of repetition that it is slowly edging ever closer to. Does Skull really blow as many minds and level as many buildings as the earlier reviews indicate? The short answer is a resounding yes. The long answer is that we have only seen the immediate effects of Skull, all we can do now is wait. Wait to see how quickly Skull rockets its way into album of the year lists, album charts, metal prestige and how rapidly Evile ascend into world renowned headline status.    Enter The Grave was the sound of a young and fresh band, Influenced by the kings of Thrash and ready to formulate their own sound. Infected Nations was the sound of a band that had began to explore their own potential, while ever pushing the boundaries set before them. Five Serpents Teeth however, was the sou

MEGADETH  SUPER COLLIDER     Firstly, lets make something clear. Megadeth released Peace Sells.... But Who's Buying?, in 1986. They released Rust In Peace, in 1990. Countdown To Extinction, was released in 1992. So why, in 2013, would Megadeth decide to release the same album again? Those three albums previously mentioned already exist, why would they try to release the same album over and over again? More importantly, why would anyone want them to? The answer is, no band who is aiming to remain relevant and please fans with fresh and invigorating albums, would churn out generic albums every few years. If you're a fan of Megadeth, you will certainly buy a copy of Super Collider, appreciate that it consists of a selection of brilliantly new and energising songs, and then listen and enjoy the new material. If you're a "Keyboard warrior", or a "online troll" then you will probably take to the internet to voice your opinion concerning Megadeth, Supe

CHTHONIC: BU-TIK        Chthonic have returned to conquer the world, the charts, your soul, and your album collection. Their weapon of choice? One of the strongest contenders for the album of the year title, and their greatest accomplishment to date. With 2009's Mirror Of Retribution, and 2011's Takasago Army already in Chthonic's trophy cabinet, you would be correct in thinking that their greatest accomplishment is something exceptionally mind blowing indeed.     Fans of the breathtaking Takasago Army, will not be disappointed by Bu-Tik. The thunderous, rhythmic and monolithic riffs remain. When coupled with Chthonic's distinctive usage of atmospheric instrumentals, created by a selection of keyboards, synthesizers and traditional Erhu, the sound becomes completely encapsulating. The songs themselves display Chthonic's mastery perfectly. "Defenders Of Bu-Tik Palace", combines the key components of Death-Metal, turns up the speed to eleven, then