Skip to main content

Autopsy: Tourniquets, Hacksaws and Graves

AUTOPSY 
TOURNIQUETS, HACKSAWS AND GRAVES
   After tearing back onto the scene in 2011 with the sadistically stunning, "Macabre Eternal", Autopsy have been dropping spectacular albums faster than a body decomposes in a desert. Following up 2013's "The Headless Ritual", Autopsy's latest and greatest offering, "Tourniquets, Hacksaws and Graves", is a die-hard pleasing lesson in old-school Death-Metal, oozing with all the grotesque lyrics and filthy riffs you would expect from these legendary pioneers, and more.
   Musically, "Tourniquets,..." is very much a continuation of its full-length predecessor, although slightly more refined and direct. As is the Autopsy tradition, a wide spectrum of tempos and pace changes gives these songs a distinct memorability. Opening track "Savagery", is a short sharp shock to the system, bringing the speed and introducing the album like a hatchet to the face. Again, the Autopsy tempo changing tradition remains true as the speed drops away halfway through second track, "King Of Flesh Ripped", leaving a slower, more Death-Doom sound with thick swamp-consistency tones. More Zombie-crawling pace tracks emerge as the album progresses ("After The Cutting", "Teeth Of The Shadow Horde" and "Deep Crimson Dreaming"), before culminating in one of the sludgiest, most hypnotically melodic and macabre tracks of all time. The heavier than imaginable, "Burial", packs a punch like only Autopsy can, but with an even slower and even more crushingly weighty, almost Triptykon-esque sound. The perfect prelude it seems to the closing track. A career spanning medley of Death-Metal sounds and styles, "Autopsy" certainly lives up to its name, and well beyond.
   Existing Autopsy fans will feel right at home with "Tourniquets,..", and the album will certainly go a long way to bolstering Autopsy's already impressive Death legacy. Chris Reifert's vocals are as savage as ever, musically the band are on superb form, displaying some of the greatest riffs and most powerful bass work around. Ultimately, "Tourniquets,.." is a powerful performance by a band that clearly have a lot left to show the world, and at their rate it wont be long before they give us our next lesson. Fingers crossed.             
   




THANK YOU FOR READING!
FEEL FREE TO COMMENT OR ASK ANY QUESTIONS:
\m/
      

Comments

Popular posts from this blog

EXODUS: PERSONA NON GRATA

  EXODUS: PERSONA NON GRATA         The Thrash Metal hierarchy has long been constructed around the mainstream success of the American "Big Four", dwarfing their peers outside of the clique with their mass popularity and stratospheric record sales. Thanks to bands such as Exodus, Testament and Overkill, a revolution has begun. The most recent releases from those bands comprising the Big Four have been good at best, while the latest albums from these previously mentioned outsiders have been breathtakingly excellent.    Persona Non Grata is a crushingly heavy slab of solid Thrash Metal. Gary Holt and fellow guitarist Lee Altus whip up a veritable storm of crunchy, Thrashing, whiplash-inducing riffs from start to finish. A superhuman barrage of drum battery is unleashed by Tom Hunting, accompanied by Jack Gibson's booming, thundering and raking bass notes. All the while Steve Souza sings, screams and snarls like a rabid and possessed vocal maestro....

MASSACRE: RESURGENCE

  MASSACRE: RESURGENCE      Like the walking dead, Massacre just keep coming back time after time. Refusing to stay down, this band simply won't die. To survive, Massacre takes on a new form every ascension, this time they have re-emerged as the Kam Lee band, with the legendary vocalist being the most consistent and regular member of the band over the years and through the numerous reformations.   The Massacre that we are faced with here on Resurgence could be considered as something of a Death-Metal supergroup. Comprising the band alongside Kam Lee; we have Mike Borders on bass guitar whom was previously a member of the band for short spell in the mid 1980's, alongside Jonny Pettersson of Wombbath (and countless other bands and projects) and Rogga Johansson of Paganizer (and possibly even more bands and projects than Jonny) on guitars, Brynjar Helgetun on drums, and Memoriam's resident riff-lord Scott Fairfax providing lead guitar. United this band of talented ...

NO NONSENSE METAL REVIEWS: THE TOP 10 ALBUMS OF 2021

  NO NONSENSE METAL REVIEWS: THE TOP 10 ALBUMS OF 2021     Despite lockdowns, travel restrictions and the cancellation of normality as a result of an ever present global pandemic, 2021 has been a very healthy year for heavy music. With the cancellation and indefinite postponement of tours, festivals and live music in general, bands and artists have been forced to explore alternative avenues and express their artistic visions and passions in other ways. The down time away from the road has left bands with schedules empty enough to write and record new material, some of which has proven to be exceptionally strong new albums, EPs and compilations. The phenomena of the "lockdown live album" as well as live streaming events and virtual concerts have also become a commonplace staple in many band's discography, showing defiantly that COVID-19 and the consequent restrictions enforced will never suffocate the breath of creativity or shroud the light of the soul. Making the be...