Skip to main content

Morbid Angel: Kingdoms Disdained

Morbid Angel: Kingdoms Disdained

   Kingdoms Disdained has a lot to live up to, it also has a legacy to re-validate and redeem. Morbid Angel are responsible for creating some of the most legendary and pivotal extreme Metal records ever released, however, it cannot be ignored that they also birthed one of the most disappointing and terrible albums of the millennia. So, the big question is, can one album save a band from being written off completely and condemned as a "has been"? 
   The short answer is, yes. Kingdoms Disdained is one of the most furious and formidable Death-Metal albums of the century, and more than lives up to Morbid Angel's seminal early releases. The return of the demonic voice of, Steve Tucker, also marks a return to the sludgy, thick, filthy sound that characterised the bands releases during Tucker's previous residency in the band. 
   The albums is packed full of absolutely killer material and merciless, brain-pounding Death-Metal, from start to finish. Mastermind and masterful maestro, Trey Azagthoth, is on superb form, delivering some of the most intense and intoxicating riff work ever recorded. 
   Album opener, "Piles Of Tiny Arms" sets the tone and agenda perfectly, with a total Death-Metal assualt, crushing any doubts and fears that Morbid Angel were anything less than titans. "D.E.A.D" follows with refreshing technicality, intense blastbeats and a healthy dose of chugging riffage. By the time "Garden Of Disdain" kicks in, the undeniable consistency of Kingdoms Disdained sets in, as the rolling, all conquering Death-Metal machine unleashes superb track, one after another. The barbaric "The Righteous Voice" and the stunning "Architect And Iconoclast", absolutely reek of the old-school, harking back (unsurprisingly) to the gritty sounds of, Formula Fatal To The Flesh. Elsewhere, "Declaring New Law (Secret Hall)" is an undeniable standout moment on Kingdom's Disdained, with the grooviest, yet most sinister offering of the whole album. For Fans of the pre-Tucker era of Morbid Angel, "For No Master" and, "From The Hand Of Kings", give a nod to the great, pioneering sounds of Alters Of Madness and Blessed Are The Sick, while delivering the speed with thrashing intensity. 
   Overall, there is no single best track on Kingdoms Disdained, no clear winning song, this is an album of flawless Death-Metal. Every note is masterfully executed and the result is an album which packs a serious punch and is worthy of great praise. Kingdoms Disdained has a fresh and re-energised sound, showing Morbid Angel alive again, on top form, benefiting from the breath of life brought by new and returning members. It would be foolish to deny the brilliance of this magnificent work of art.   
THANK YOU FOR READING! 
FEEL FREE TO COMMENT OR ASK ANY QUESTIONS!     

Comments

  1. Anonymous30 December 2017 at 08:39

    I agree, the album is great.

    ReplyDelete
  2. Anonymous31 December 2017 at 02:33

    The album is not bad. It's ok. And yes it's the best since Gateways, which also means it's the 6th best Morbid Angel album.

    ReplyDelete

Post a Comment

Popular posts from this blog

EXODUS: PERSONA NON GRATA

  EXODUS: PERSONA NON GRATA         The Thrash Metal hierarchy has long been constructed around the mainstream success of the American "Big Four", dwarfing their peers outside of the clique with their mass popularity and stratospheric record sales. Thanks to bands such as Exodus, Testament and Overkill, a revolution has begun. The most recent releases from those bands comprising the Big Four have been good at best, while the latest albums from these previously mentioned outsiders have been breathtakingly excellent.    Persona Non Grata is a crushingly heavy slab of solid Thrash Metal. Gary Holt and fellow guitarist Lee Altus whip up a veritable storm of crunchy, Thrashing, whiplash-inducing riffs from start to finish. A superhuman barrage of drum battery is unleashed by Tom Hunting, accompanied by Jack Gibson's booming, thundering and raking bass notes. All the while Steve Souza sings, screams and snarls like a rabid and possessed vocal maestro....
Post a Comment
Read more

MASSACRE: RESURGENCE

  MASSACRE: RESURGENCE      Like the walking dead, Massacre just keep coming back time after time. Refusing to stay down, this band simply won't die. To survive, Massacre takes on a new form every ascension, this time they have re-emerged as the Kam Lee band, with the legendary vocalist being the most consistent and regular member of the band over the years and through the numerous reformations.   The Massacre that we are faced with here on Resurgence could be considered as something of a Death-Metal supergroup. Comprising the band alongside Kam Lee; we have Mike Borders on bass guitar whom was previously a member of the band for short spell in the mid 1980's, alongside Jonny Pettersson of Wombbath (and countless other bands and projects) and Rogga Johansson of Paganizer (and possibly even more bands and projects than Jonny) on guitars, Brynjar Helgetun on drums, and Memoriam's resident riff-lord Scott Fairfax providing lead guitar. United this band of talented ...
Post a Comment
Read more

BEAST IN BLACK: DARK CONNECTION

  BEAST IN BLACK:  DARK CONNECTION     Bombastic, heavy, wild and fun, Dark Connection is everything that any obliging listener can expect to hear from Finnish whippersnappers Beast In Black.      Saturated with synths, electronics and plenty of twiddling guitars, the album has a very European (or more specifically Scandinavian) Pop vibe, more prevalent here than on Beast In Black's previous efforts. That said, there is no shortage of cracking riffs, slamming drums and impressive vocals.     Kicking off in dramatic fashion, " Blade Runner " offers up an seizure inducing blur of riffs and crazed keys. Sounding like a disco injected Judas Priest, " Bella Donna " is bizzare yet undeniably infectious and catchy. With a great sing-along chorus, crunchy Metallic riffs and an abundance of synths and keys, " Highway To Mars " is another groovy staple. Offering a little more heaviness, " Hardcore " pounds and thunders along like a softer Sab...
Post a Comment
Read more