Skip to main content

FETOR: ABANDONED HOPE

FETOR: ABANDONED HOPE

   Abandoned Hope, the debut album from Polish Brutal Death-Metal newcomers, Fetor, is a delightfully simplistic yet barbaric embodiment of modern musical brutality. Refined and streamlined this album is one of the strongest Death-Metal debuts to strike the scene in years. 
   Fetor's sound may not be anything exactly new or completely unheard of before, but it is certainly a marvelous and admirable reinterpretation of the Brutal Slamming Death-Metal sound. With all the combined flair and heaviness of; Broken Hope, Mortal Decay and Fleshless, Abandoned Hope is guaranteed to please anyone with a taste for total musical savagery.
   The title track, "Abandoned Hope", gives the first taste and first impression of what Fetor is all about, which is apparently ultra low gutturals, thick dirty riffs and smashing drums, all fairly standard stuff, right? "At The Cradle Of Judas" keeps up the assault, infused with mild technicality, a decent splash of blastbeats, rumbling bass and even more powerful riffage, all of which are expertly executed. 
   By The time that "The Stench Upon Vultures Nest" comes Slamming into sight, armed with immense levels of grooves, punishing Dying Fetus inspired riffs and robotic drum, you get the impression that not only do Fetor know exactly what they are doing when it comes to creating high quality Brutal Death-Metal, they are extremely good at doing it too. 
   The old-school Pyaemia-esque intricately crushing nature of "Worms In The Cross Of Jesus" also makes for pleasing listening, establishing Fetor's roots for one thing, but also showing what a superb job Fetor can do of reworking the same old musical tools of the trade and turning them into something refreshing and satisfying to even the most well trained of ears. 
   "From Neck To Crotch", "Needle In The Nail" and "Show Me What You Have Got Inside" are notable not only for being powerhouse vessels of towering, crunchy rolling riffs, but also for being highly sophisticated convergences of Slam and traditional Death-Metal. These tracks in particular are oozing with groove, old-school Death-Metal rhythmic chugging and some of the most sickeningly brilliant vocals around. If you desire a decent dose of Slam, then "Spanish Shoes" and "Hangman's Dreams" have got you covered with their swaggering backbones and generic slide riff sensations.      
   The grand finale, "Rusty Knife Between Your Eyes" is essentially another stab of Brutal Death-Metal, only this time heavily inspired by Cannibal Corpse's style of rhythmic intoxication, resulting in compulsory headbanging moments and helping to break up the monotony of Fetor's seemingly standard technical speedy heaviness.  
   Overall, Abandoned Hope is a very strong and highly promising debut album. The musicianship displayed here is hard to fault and the songwriting even harder still. If you like your extreme music heavy, crushingly heavy in fact, and packed full of excellent riffs, insane gutturals and blastbeats galore, then this is the album for you.     

THANK YOU FOR READING! FEEL FREE TO COMMENT OR ASK ANY QUESTIONS!

 ABANDONED HOPE is available through ROTTEN MUSIC here

Comments

Post a Comment

Popular posts from this blog

EXODUS: PERSONA NON GRATA

  EXODUS: PERSONA NON GRATA         The Thrash Metal hierarchy has long been constructed around the mainstream success of the American "Big Four", dwarfing their peers outside of the clique with their mass popularity and stratospheric record sales. Thanks to bands such as Exodus, Testament and Overkill, a revolution has begun. The most recent releases from those bands comprising the Big Four have been good at best, while the latest albums from these previously mentioned outsiders have been breathtakingly excellent.    Persona Non Grata is a crushingly heavy slab of solid Thrash Metal. Gary Holt and fellow guitarist Lee Altus whip up a veritable storm of crunchy, Thrashing, whiplash-inducing riffs from start to finish. A superhuman barrage of drum battery is unleashed by Tom Hunting, accompanied by Jack Gibson's booming, thundering and raking bass notes. All the while Steve Souza sings, screams and snarls like a rabid and possessed vocal maestro....
Post a Comment
Read more

MASSACRE: RESURGENCE

  MASSACRE: RESURGENCE      Like the walking dead, Massacre just keep coming back time after time. Refusing to stay down, this band simply won't die. To survive, Massacre takes on a new form every ascension, this time they have re-emerged as the Kam Lee band, with the legendary vocalist being the most consistent and regular member of the band over the years and through the numerous reformations.   The Massacre that we are faced with here on Resurgence could be considered as something of a Death-Metal supergroup. Comprising the band alongside Kam Lee; we have Mike Borders on bass guitar whom was previously a member of the band for short spell in the mid 1980's, alongside Jonny Pettersson of Wombbath (and countless other bands and projects) and Rogga Johansson of Paganizer (and possibly even more bands and projects than Jonny) on guitars, Brynjar Helgetun on drums, and Memoriam's resident riff-lord Scott Fairfax providing lead guitar. United this band of talented ...
Post a Comment
Read more

NO NONSENSE METAL REVIEWS: THE TOP 10 ALBUMS OF 2021

  NO NONSENSE METAL REVIEWS: THE TOP 10 ALBUMS OF 2021     Despite lockdowns, travel restrictions and the cancellation of normality as a result of an ever present global pandemic, 2021 has been a very healthy year for heavy music. With the cancellation and indefinite postponement of tours, festivals and live music in general, bands and artists have been forced to explore alternative avenues and express their artistic visions and passions in other ways. The down time away from the road has left bands with schedules empty enough to write and record new material, some of which has proven to be exceptionally strong new albums, EPs and compilations. The phenomena of the "lockdown live album" as well as live streaming events and virtual concerts have also become a commonplace staple in many band's discography, showing defiantly that COVID-19 and the consequent restrictions enforced will never suffocate the breath of creativity or shroud the light of the soul. Making the be...
Post a Comment
Read more