Skip to main content

KATAPLEXIA: THE RISE OF THE UNKNOWN

KATAPLEXIA: THE RISE OF THE UNKNOWN

   If you have been waiting 11 years for another full-length from Finland based bruisers Kataplexia, then every second of that wait has been well worth it. 
Stretching to an eye-watering 30 minutes, this album is a roller-coaster of audio brutality. 
   Introducing the album, "Profanities Of Artificial Incubation" does have a fairly prominent, Disavowed-esque air about it, but that does not overshadow the fact that these riffs are colossal, the gutturals are raw and the low end and bass drops will crush your skull. 
   If you like your Brutal Death-Metal to have a little more of a classic feel to it, then "The Approaching Of The Aftermath" and "Inverted Telepathy" will make you feel right at home. Both of these tracks shamelessly lean towards the menacing pace and primal punch of more traditional Death-Metal, from the likes of Sinister and Cannibal Corpse. In fact, "Inverted Telepathy" is a very strong contender for being the album highlight, dishing up a delicious platter of early Suffocation worship and monstrous, intoxicating riffs, all rounded off beautifully in Kataplexia's own unique way. 
   Irrespective of the musical comparisons, Kataplexia do have a standout sound and are undeniably very skilled musicians capable of making brutal tunes suited to all tastes; just take the technical wizardry of "The Autonomous Intelligence", or the seismic Slam and blastbeat-fests of "The Birth Of The Unknown" and "Genetic Intervention", which incidentally contains the grooviest and weightiest Slamming section of the whole album.          
   In conclusion, The Rise Of The Unknown is a thoroughly enjoyable listen and to be honest, is something very special indeed. Kataplexia have done a fine job of intricately weaving a vast range of brutal styles throughout the album, from proggy technical flairs to savage slams, however the albums is still largely rooted in the traditional Death-Metal and Brutal Death-Metal ways. The beauty of this lean and mean album is that it manages to be utterly barbaric and totally crushing without being over the top and unnecessarily complicated, trading bells and whistles for an arsenal of blastbeats and rattling bass. This is Brutal Death-Metal done right.    


THANK YOU FOR READING! FEEL FREE TO COMMENT, SHARE AND ASK ANY QUESTIONS!

Album available through ROTTEN MUSIC! 

Comments

Popular posts from this blog

EXODUS: PERSONA NON GRATA

  EXODUS: PERSONA NON GRATA         The Thrash Metal hierarchy has long been constructed around the mainstream success of the American "Big Four", dwarfing their peers outside of the clique with their mass popularity and stratospheric record sales. Thanks to bands such as Exodus, Testament and Overkill, a revolution has begun. The most recent releases from those bands comprising the Big Four have been good at best, while the latest albums from these previously mentioned outsiders have been breathtakingly excellent.    Persona Non Grata is a crushingly heavy slab of solid Thrash Metal. Gary Holt and fellow guitarist Lee Altus whip up a veritable storm of crunchy, Thrashing, whiplash-inducing riffs from start to finish. A superhuman barrage of drum battery is unleashed by Tom Hunting, accompanied by Jack Gibson's booming, thundering and raking bass notes. All the while Steve Souza sings, screams and snarls like a rabid and possessed vocal maestro....

MASSACRE: RESURGENCE

  MASSACRE: RESURGENCE      Like the walking dead, Massacre just keep coming back time after time. Refusing to stay down, this band simply won't die. To survive, Massacre takes on a new form every ascension, this time they have re-emerged as the Kam Lee band, with the legendary vocalist being the most consistent and regular member of the band over the years and through the numerous reformations.   The Massacre that we are faced with here on Resurgence could be considered as something of a Death-Metal supergroup. Comprising the band alongside Kam Lee; we have Mike Borders on bass guitar whom was previously a member of the band for short spell in the mid 1980's, alongside Jonny Pettersson of Wombbath (and countless other bands and projects) and Rogga Johansson of Paganizer (and possibly even more bands and projects than Jonny) on guitars, Brynjar Helgetun on drums, and Memoriam's resident riff-lord Scott Fairfax providing lead guitar. United this band of talented ...

NO NONSENSE METAL REVIEWS: THE TOP 10 ALBUMS OF 2021

  NO NONSENSE METAL REVIEWS: THE TOP 10 ALBUMS OF 2021     Despite lockdowns, travel restrictions and the cancellation of normality as a result of an ever present global pandemic, 2021 has been a very healthy year for heavy music. With the cancellation and indefinite postponement of tours, festivals and live music in general, bands and artists have been forced to explore alternative avenues and express their artistic visions and passions in other ways. The down time away from the road has left bands with schedules empty enough to write and record new material, some of which has proven to be exceptionally strong new albums, EPs and compilations. The phenomena of the "lockdown live album" as well as live streaming events and virtual concerts have also become a commonplace staple in many band's discography, showing defiantly that COVID-19 and the consequent restrictions enforced will never suffocate the breath of creativity or shroud the light of the soul. Making the be...